A direct link to the above video is at http://www.youtube.com/watch?v=SeG_gfx1b60
Tomorrow, June 18, is Paul McCartney's birthday. Happy 67th birthday Paul, wherever/whatever you are right now!
(This, of course, is the greeting I also posted for John Lennon and George Harrison on their respective birthdays this past year. Am I being morbid here? Not at all! Instead, what I'm trying to do is recognize that all of us are made up of patterns that extend well beyond the limits of our own physical bodies, and while that may be easier for us to imagine once someone passes on, it is just as true for those of us who are living right here, right now, in this current slice of the multiverse.)
Here's Paul singing "That Was Me": one of his more recent songs, and one that I think relates well to the discussions we've been having here.
A direct link to the above video is at http://www.youtube.com/watch?v=uWB8AM3xWfY
In entries like You are Me and We are All Together, We're Already Dead (But That's Okay), Everyone Has a Story, and Your Fifth-Dimensional Self, we've talked about one of the conclusions we are forced to look at when we think about our existence within a multiverse of other universes, most of which we couldn't exist within: is this nothing more than luck? Or could the new Biocentric Universe theories be correct, and our presence within the universe actually have "reverse fine-tuned" the constants and patterns that were previously indeterminate? Last week, the work of Professor Louis Crane was discussed at physorg.com, and he has some amazing theories about future (or past) civilizations using fine-tuned black holes to create future universes that support life, creating a potentially infinite chain from one universe to the next.
As I've said before: when you consider how unlikely our universe is, and when you consider all the bad luck or malicious intent that could have killed each person reading this before now, how could you not feel anything but wonder? And now, imagine yourself being Paul McCartney, looking back at a life that even with all of its heartache and challenges, has been incredibly blessed? In the above song, Paul pages us through a scrapbook of his memories, little snippets that sum up a life well-lived.
But why does he say "That Was Me"? Shouldn't it be "That is Me"? Isn't he still Paul McCartney?
I believe Paul, as he has done so many times before, is pointing to a profound truth here with a simple but catchy melody and a nicely crafted lyric. My song Change and Renewal and blog entries like Making New Connections have explored similar concepts to what his choice of verb tense is referring to here: Paul is not the same person he was when the Beatles became famous, all of the cells in his body have been replaced many times over since then, and many of the belief systems and meme patterns that made him who he was back then have been modified and replaced over the years.
The same is true for all of us, of course. While we each obviously have a direct fourth-dimensional connection to our younger selves through our physical bodies, it would be foolish to suggest that we haven't changed: that's what life, creativity, and the universe are all about.
Here's a few paragraphs from the end of chapter 5 of my book which discuss this higher-dimensional interlocking system that makes each of us who we are down here in the fourth dimension:
Parts of that system of beliefs will extend back through our lifetime, attached to our physical bodies through memory to become a feeling of “self” that may not ever change. But, as we have already discussed, there are also parts of that system of beliefs that will constantly be in flux, altering over time as life experience changes the ways that a person thinks about themselves and the world....and in chapter eight I said this:
We could think of this constantly changing system as a “society of memes”. Like Minsky’s concept of consciousness and intelligence, there will always be a large number of memes within each physical body which are competing for dominance, and which are brought to the forefront or suppressed depending upon their relevance and usefulness at any particular moment. It is the physical being we have been since conception, combined with that interlocking system we think of as our soul, that entwine in the sixth dimension to create an ornate and highly textured shape that is each of us, and which we see only a tiny cross-section of as we move along our line in the fourth dimension.
The beautiful blossoming potential we see in a newborn child is an immensely attractive thing. The angels of possibility that swirl around a toddler’s head can be breathtaking if we catch even a fleeting glimpse. And there is nothing as sad as the tragedy of a child who has been mistreated or abused, and whose life may never be the same because of it. Even from our limited window in the lower dimensions, it is easy for us to intuitively understand what is magical and wonderful about the promise of a child, a promise that is held within the sixth dimension.
The same is true of all the molecules in our bodies. We are constantly going through a process of exchange and renewal, so that in the passing of ten years many of the molecules inside our body are not the same as the ones that were there previously. Imagine the fourth- and fifth-dimensional net connecting the carbon that was in your body ten years ago with where it is today. Imagine the connections across time and space back to the creation of that carbon in the dying of other stars billions of years ago, since that is where all carbon in our universe comes from originally. Once again, the image of a fantastically huge new web of connections is made, and those connections are invisible and unknown to us within our limited viewpoint traveling along our narrow fourth-dimensional line.So, Sir Paul, thank you for sharing this song and your many talents with us, and a very happy birthday to all the parts of you that are not only connected to your physical body at this moment, but to all the other parts that have been or will be, and which now float out there in the other layers of our reality.
To finish, here's a fun song, one of the 26 I wrote for this project. It's called "Hang a Left at the Lights", and it's about the process of choice, change, and renewal that each of us are constantly participating in as we observe our fourth-dimensional line selected from the available paths of our fifth-dimensional probability space.
A direct link to the above video is at http://www.youtube.com/watch?v=xCTkcMADHk4
Enjoy the journey!
Next: Logic vs. Intuition